ORCID
https://orcid.org/0009-0000-5280-0163
MSU Affiliation
University Libraries
Creation Date
10-13-2026
Creation Date
2026-10-14
Abstract
This project employs phenomenological and poststructuralist modes of inquiry to examine the relationship between techno’s utilization of abject experiences and the cultivation of a synergetic community embracing hope and inclusiveness. Drawing on Mikhail Bakhtin, Friedrich Nietzsche, Martin Heidegger, Julia Kristeva, and Rosalind Krauss, I emphasize parallels between community and track structure, investigating interconnectedness between participants (including the DJ) within techno experiences and the interplay of samples within techno tracks. This analysis reveals tensions and dualities that shape both. This approach fills an underexplored gap within current scholarship, which commonly approaches the subject through the lenses of deviance, drug abuse, or its clumsy connections to shamanism. I argue that techno continually forges a synergetic community, transcending superficial interpretations that situate techno as momentary cathartic release. I emphasize the importance of interconnectedness, participation, and technology in fostering intimacy within a world increasingly swallowed by detachment. With a focus on peace, love, unity, and respect (P.L.U.R.), I assert that technology empowers the subversion of hierarchical structures, drawing individuals closer together rather than furthering isolation and alienation. This shift highlights that techno belongs to both everyone and no one. However, as techno is integrated into mainstream culture, it becomes increasingly exploited, which makes understanding techno’s transformative potential important. By examining techno as a participatory experience and an activist state, while focusing on its development and incorporation of Detroit’s abjection towards spurring hope, inclusiveness, and continual forging, I situate techno as capable of transforming how we treat ourselves, others, and the rest of the world.
Keywords
techno, sampling, raves, synergetic, community, carnival, abject, non-hierarchy, facilitation, Detroit
Publication Date
Spring 3-2024
Publication Title
Uncovering Abjection Through Utopian Dreaming: How Techno Subverts Hierarchical Structures and Continues to Forge a Synergetic Experience
Publisher
Digital Maine Repository
First Page
i
Last Page
403
Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 International License.
Rights
© 2024 Angela R. Whitlock. Except where otherwise noted, this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License (CC BY-NC-ND 4.0). To view a copy of this license, visit https://creativecommons.org/licenses/by-nc-nd/4.0/. Images and other third-party materials included in this work were used with permission for this project only. They are not covered by this license, and they may not be reused without permission from their respective owners.
Recommended Citation
Whitlock, Angela R., "Everyone and No One in the Detroit Techno Experience" (2024). Publications. 949.
https://scholarsjunction.msstate.edu/works_publications/949
Included in
Aesthetics Commons, African American Studies Commons, Black History Commons, Community Psychology Commons, Continental Philosophy Commons, Cultural History Commons, European History Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, Other Music Commons, Other Philosophy Commons, Other Social and Behavioral Sciences Commons