Authors

James Kelley

Abstract

Uses the symposium near the end of Wallace Thurman's Infants of the Spring to examine conflicting models for gay identity for black male writers in the Harlem Renaissance.

First Page

499

Last Page

517

Publication Date

1-1-1997

College

MSU-Meridian

Department

MSU-Meridian - Division of Arts and Sciences

Keywords

harlem renaissance, wallace thurman, countee cullen, alain locke, langston hughes, zora neale hurston, hybridity

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