Theses and Dissertations
ORCID
https://orcid.org/0009-0008-3723-4165
Advisor
Vivier, Eric
Committee Member
Dodds, Lara
Committee Member
Marquardt, Meg
Date of Degree
5-10-2024
Original embargo terms
Immediate Worldwide Access
Document Type
Graduate Thesis - Open Access
Major
English
Degree Name
Master of Arts (M.A.)
College
College of Arts and Sciences
Department
Department of English
Abstract
This thesis explores prescriptive literature and conduct books, specifically The Book of Homilies, and how these prescriptions manifest in Shakespeare’s work. This text examines the depictions of marital relationships and argues that the actions of husbands in two of Shakespeare’s comedies, The Taming of the Shrew and The Merchant of Venice, deviate from prescriptive ideals that homilies deem proper for the husband-and-wife relationship. Through the combination of new historicism and gender criticism, this thesis suggests that Katherine and Portia use submission to gain agency in moments when they seem to have none while showing that the men do not fulfill their husbandly duties. This dynamic demonstrates that submission did not mean subordination, and men in these plays do not totally recognize the agency women have despite the larger scheme of patriarchal power still existing.
Recommended Citation
Newell, Joseph N., "Submissive natures, subversive acts: power, prescriptive literature, and the female voice in Shakespeare’s comedies" (2024). Theses and Dissertations. 6147.
https://scholarsjunction.msstate.edu/td/6147