Volume 4, Issue 4 (2026)
This issue of the journal begins with three essays committed to analyzing critical nodes of both the reproduction of capitalism, and social reproduction in capitalism. Isabelle Garo explores how Marx’s work evinces two indissociable approaches to life, giving fresh insights into the contradictions of contemporary capitalism; Vered Ben David analyzes how resilience functions both as a “lived capacity for adaptation” within neoliberalism and as an imperative that shifts responsibility to individuals; and Tedd Siegel offers an extended review of Jason Read’s Spinozist-Marxist exploration of work, ideology and politics. In addition to two book reviews, we are also extremely excited to introduce a new section of the journal, “Experiencing Emancipations,” which offers insights emerging directly from experience of social struggles and ordinary acts of insurgency. After an introductory essay by the editor of the series, Daphne Nicolaidis Saunders, we share three personal accounts of activism. We hope this inspires readers to offer their own reflections for future issues. This issue concludes with a review symposium on Banu Bargu’s recent book, Disembodiment: Corporeal Politics of Radical Refusal, with critical essays from Amy Allen, Daniel Loick and James Martel, and a response from Bargu.Essays
Resilience Otherwise: Ambivalence, Care, and the Cultural Politics of Endurance under Neoliberal Capitalism
Vered Ben David
Experiencing Emancipations
Experience as a site of knowing
Daphne Nicolaidis Saunders
Weapons of Mass Construction
Pia Baas
On Knowledge as an Act
Zakaria Al Shmaly
Book Reviews
The Politics of Literature in Dider Eribon’s Returning to Reims: An Emancipatory Review
Noa de Kievit
Maurizio Lazzarato. War and Money: The Imperialism of the Dollar. New York, NY: Verso Books, 2025. 216 pp.
Victor Stout
Book Symposium: Banu Bargu, Disembodiment: Corporeal Politics of Radical Refusal (2024)
My name is Wonegwe Torin Wenda. I am an Indigenous West Papuan artist, activist, human rights advocate, and campaigner with the Free West Papua Campaign. My work explores decolonisation, Indigenous sovereignty, political resistance, genocide, and ecocide in West Papua through art as a form of testimony, remembrance, and resistance. Influenced by the legacy of West Papuan liberation leaders, including my father, Benny Wenda, my practice pays homage to generations of Indigenous revolutionaries who continue the struggle for justice and self-determination.
This particular piece not only honours Indigenous revolutionaries and freedom fighters, but also reflects the ongoing destruction of Indigenous land, culture, and life under colonial occupation. It stands as both an act of remembrance and a call for international solidarity with the West Papuan struggle for self-determination.